Thursday, May 8, 2014

Considering Changes in Literacy Education Across New Technologies

Literate Event or Social Practice
Traditional Technologies
New Technologies
Benefits of New Technologies
Challenges with New Technologies

Visual Entertainment

Go to the Movies

Stream videos on phone or tablet
Rent a DVD
Buy movie online

Immediate Access
More portable
Can do it more often
Done in home

Not as social
Smaller screens = less impact

Personal Communication









Advertising Products









Listening to Music










You can see from this chart that there are benefits and challenges associated with every change in technology we are confronted with. Fill it in and see where this takes you. This chart will be featured in my new book from Heinemann in 2015 entitled:
The Reading Workshop 2.0: Teaching Reading in the Digital Age

Review of Reading the Visual

A wonderful review of my new book Reading the Visual on Teachers College Record at:


Wednesday, May 7, 2014

PBD: Picturebooks About Teachers and Teaching



These are some of my older favorite books about teachers and schooling. They are excellent resources for discussing aspects of schools and what teachers do and shouldn't do. I have a long list of these books at:

Monday, May 5, 2014

Sharing Picturebooks with Older Readers

For the past forty years, picturebooks have been an important resource in the elementary reading curriculum, especially in primary grade classrooms. However, contemporary picturebooks contain themes, issues, artwork, and quality writing that is appropriate for older readers as well. An important reason for sharing picturebooks with older readers is the vast array of appropriate themes, issues and topics contained in these texts. If you haven’t explored the world of picture books lately you are in for a surprise. Most noticeably is the publication of picturebooks that contain sophisticated writing styles, complex illustrations, contemporary themes, and unique visual designs and formats.

Because of the relatively short length of the picture book, these multimodal texts provide information in a readily accessible format. Picturebooks can be used to introduce new content area topics or stimulate in depth discussions in a single class period. In addition, picturebooks are an excellent resource for reading aloud with older readers. The lyrical writing and exceptional artwork used in contemporary picturebooks anchors the sounds of written language in students, provides appropriate and enjoyable literary experiences and entices readers to interact with literature in a relatively risk-free environment. Picturebooks are not a genre in themselves, rather they are a particular literary format that contains many genres. Mystery stories, historical fiction, contemporary realistic fiction, fantasy, fairy tales and poetry are all available in picturebook format.

 The illustrations and visual elements contained in picturebooks may well be the first time young children are exposed to art and artistic techniques. Young readers are drawn into the world of reading and literature through the images and artwork contained in picturebooks. As readers get older, the picture books that are intended for them become more sophisticated. The media used to create the illustrations, the interplay between visual elements and written text, and the meanings and significance of the visual elements in picture books become more complex. Illustrations in picturebooks are a separate meaning system, not simply as a support for understanding the written text. Contemporary picturebook illustrators draw upon a wide variety of artistic techniques including; realism, surrealism, impressionism, cubism, and postmodernism to create their illustrations and visual elements. Making connections between the art in picture books and classic art forms and styles can increase older reader appreciation of art itself. The art contained in picturebooks may be a door into the world of art that older readers need to make connections to the vast array of visual elements in other texts and experiences.

Older readers in today’s society experience more variety and complexity in the texts and visual media than readers of past generations. Hypermedia in the form of web-sites and music videos, the internet, multimodal art, advertisements, television and pop culture present new experiences and challenges for older readers. Picturebooks may serve as a bridge between traditional written texts and these new forms of writing and visual design. The interplay between written text and visual components is complex and ever changing. Illustrations no longer simply support the written text, they provide information and meaning on their own.

As picturebooks grow more complex and contain more meta-fictive elements, it is necessary for readers to become more actively involved in the reading and meaning making process. Due to the non-linear structures and complex visual designs of these texts, readers are required to decide on their own how to navigate these texts and how they will construct meaning as they experience the story or stories presented. These polysemic texts contain multiple perspectives and story lines and require readers to make decisions about how the book will be read, not simply follow along with the a single, linear text. Roland Barthes calls these texts “writerly” texts and says that readers actually “write” these texts as they read them, filling in important gaps in the text to make sense as they are read.

Because of the multiple perspectives and ambiguous nature of these meta-fictive texts, readers must learn to entertain and tolerate ambiguity in order to sustain meaning while reading. There is simply no “main idea” to be found in the text. Readers must be active constructors of meaning and make decisions on their own as they navigate these complex texts. As teachers of older readers, we need to help readers assume this more active stance to reading, rather than dulling their reading senses in an attempt to “discover the main idea.”

Contemporary picturebooks, with their complex designs and meta-fictive elements set new expectations for readers. Readers are now required to generate meanings, negotiate these meanings with other readers and make conscious decisions during the reading of texts. As more complex picture books are presented to readers, readers begin to view reading as an exploration, an investigative search for meaning. Margaret Meek stated that texts teach readers how they are to be read. As the texts readers read become more complex, they require more sophisticated strategies and comprehension skills to be successful readers.

As readers leave elementary school and enter middle and high school, reading as a separate subject gives way to English classes and the reading of classic and traditional texts. Students no longer learn to read, they are required to read and study the texts of Shakespeare, Steinbeck, Twain and Salinger. These texts may be challenging for even proficient adult readers. Using pictur books that contain the same themes, settings, literary elements and writing techniques, along with these classic novels and plays, can help readers make sense of these challenging texts.

Picture books aren't just for young kids anymore! Teachers need to get over their biases about this literary format and begin to explore the abundance of quality texts that are available as picturebooks. The complexity and sophisticated nature of these texts will be rewarding for themselves and their readers alike. I have yet to meet a group of older readers that have not enjoyed reading picture books. Once they understand that these aren’t “baby” books, they will enjoy reading these texts for years to come.

Sunday, May 4, 2014

PBD: Pura Belpre Award Winners



Tomorrow is Cinco De Mayo - a day of celebration of Mexican American heritage and pride.
The Pura Belpre Award is given each year by the American Library Association. The award is named after Pura Belpré, the first Latina librarian at the New York Public Library. The Pura Belpré Award, established in 1996, is presented annually to a Latino/Latina writer and illustrator whose work best portrays, affirms, and celebrates the Latino cultural experience in an outstanding work of literature for children and youth. One of my favorite author's Gary Soto won the award a couple of times for his picturebooks feature Chato - the Latino cat with an attitude!!